The Days of Lore

KISS WEEK! The peck before the KISS

Wednesday, November 18th, 2009 | musiX

[Editor's Note: This post was originally published on April 17. It only seems fitting to run it again as part of KISS WEEK. Besides, before I tell you about last night's KISS show at the Rose Garden, you should read about KISS before KISS was KISS. Right?]

KISS fans are a peculiar bunch—willing to shell out hundreds of thousands of their hard-earned dollars to see the band play in makeup 35 years on, or to get their grubby little paws on ultra-rare bootlegs or a still-sweaty Gene Simmons codpiece. Kooky, I tell you.

Any KISS fan can also tell you that there was life before the makeup and codpieces … it was more facial hair and bell bottoms. After all it was 1970 when Gene Klein (born Chaim Witz, who would later become Gene Simmons) and keyboardist Brooke Ostrander formed a band called Rainbow in New York. After recruiting drummer Tony Zarrella and guitarists in Stephen Coronel and Stanley Eisen (who would change his name to Paul Stanley), Rainbow began playing mostly covers and would play their only gig at Richmond Community College in Staten Island.

By 1971 the band changed its name to Wicked Lester and began writing more originals. Wicked Lester went into the studio later that year (after performing only two shows). In the process Coronel was given the boot, and session guitarist Ron Leejack was brought in to record the leads. The record—made up of mostly originals and a few covers—took a year to record. When it was brought to prospective label Epic Records, the album was turned away and would never be officially released.

The Wicked Lester record has circulated in bootleg form for years. Two tracks—“Lover Her All I Can” and “She”—which would resurface on KISS’ Dressed To Kill album in 1975—appeared in a box set a few years ago. I actually like the Wicked Lester songs. It just sounds like a band trying to figure out what the hell they’re trying to do … some sort of Motown-acid rock-psych concoction (flutes and horns fluttering and squawking over folky guitars and funky basslines). Which is probably why it didn’t last. I love the Simmons-penned “Simple Type” with vocals from both future KISSers and the cover of Infinity’s “(What Happens) In the Darkness,” an Ike and Tina-inspired burner punctuated by Stanley’s sassy (and underrated) vox. And “Molly” (”Molly, my pal, you’re my gal … “) reminds me of something you’d hear on The Electric Company, which was some of Morgan Freeman’s best work.

You know the rest of the story. Gene and Paul (second and third from left respectively in the photo) recruited Peter Criscuola (later the Catman Criss) and Paul Frehley (Space Ace) and conquered the world 10 times over, put their faces on pajamas and lunchboxes, had their way with thousands of groupies, released a concept album, dropped the makeup, reunited, did four, five farewell tours … there’s nothing left to do. So, Gene, when’s the Wicked Lester reunion? Could be a money maker.

“She” - Wicked Lester

“Simple Type” - Wicked Lester

“(What Happens) In The Darkness” - Wicked Lester

“Molly” - Wicked Lester

Tags: Ace Frehley, Chaim Witz, KISS, KISS WEEK, Paul Frehley, Paul Stanley, Peter Criscuola, Stanley Eisen, Wicked Lester

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