The Days of Lore

Far: Here and now

Thursday, May 27th, 2010 | musiX | 3 Comments

Far came into my life at just the right time. I was pretty much over the overdone meatheadedness of metal (especially the metal clientele), but I still liked to … you know, rock the fuck out.

I first saw Far in 1996 opening for Helmet at the El Dorado Saloon in Sacramento. Something struck me about the crowd … I didn’t fear for my life, for one. Plus I could tell the audience truly loved this band Far. The entire experience was this bizarre hippie hardcore love-fest led by vocalist Jonah Matranga, and it was an exhilarating feeling to let loose and know that everyone there had your back. I became somewhat of a groupie (non-sexual) of the band from 1996 until Far called it quits two years later after the release of their masterstroke Water & Solutions. The Zocalo Room, Brickworks, as well as pilgrimages to Bojangles and Old Ironsides immediately come to mind as the haunts at which I saw Far play during that compressed period of time. Those were great times.

The interesting thing about Far is that they became more popular after they’d called it quits, influencing schools of whiny, pretty-boy emo bands that were more about cool hair than cool music … which is strange because while Far may be unfairly associated with some truly horrible bands, there is only one Far.

I’ve come to realize that Far works because of the dynamic between Matranga and guitarist Shaun Lopez—they’re completely different people. In those early days Lopez was a punk rock/hardcore guy. Matranga more of a folky hippie. The differences became even more apparent after Far broke up. Lopez formed The Revolution Smile, which toured with bands like Marilyn Manson and Korn. Matranga recorded quirky EPs in his bedroom under the moniker Onelinedrawing, and played house shows to polite indie rock kids. Even today, geographically, it sort of makes sense: Matranga lives in San Francisco, Lopez calls L.A. home.

That tug of war between Lopez’s menacing riffs and Matranga’s happy pop hooks make Far’s new record At Night We Live—if anything—an interesting listen. It’s more varied and textured than Water & Solutions. Songs like “If You Cared Enough” and the title track sound ready-made for radio (and dangerously close to some of the bands that would later name-drop Far). “The Ghost That Kept On Haunting” and “When I Could See” are dark and spooky. And “Better Surrender” and “Are You Sure?” are power pop gems. Matranga’s voice sounds better than it ever has, and his lyrics still float between poetic and plainspoken. My only gripe is that At Night We Live is too slick—the guitars are still loud, but the drums and bass just don’t bang and clang like they did on Water & Solutions, which is part of what made that record so great.

So. Do I like it? Yes, yes I do. Then again I’m one of those people who dropped $24.47 (worth every penny) for At Night We Live on a four-record, blue-and-white vinyl set. Go ask a more credible source.

“Better Surrender” - Far

“At Night We Live” - Far

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Tags: At Night We Live, Far, Jonah Matranga, Onelinedrawing, Shaun Lopez, The Revolution Smile, Water & Solutions