Blitzen Trapper
2 much rawk 4 me?
Monday, December 8th, 2008 | musiX, pdX | 1 Comment
Live: Blitzen Trapper, Starfucker and The Parson Red Heads at Wonder Ballroom, 12.4.08
The Thermals, Panther and Champagne Champagne at Doug Fir Lounge, 12.5.08
Seeing 2 handsome rock bands in 2 nights might be 2 much 2 handle 4 some. But I went for it. A couple of Portland’s beloveds performed at home after long absences: Blitzen Trapper has been touring the country for the better part of this year, performing on Conan and generally making music-folk weak in the knees. The Thermals have been working on a new record, recruiting a new drummer, signing to a new label and generally making me weak in the knees.
It was my first time seeing Blitzen Trapper, although I’ve watched plenty of live clips. The stuff I had seen always reminded me of the euphoric musicality of The Last Waltz, minus the coke boogers … and Neil Diamond. On this night the Trappers performed like the seasoned road warriors that they are, playing a good portion of the excellent Furr record. Although, it was a short set. Are they, perhaps, experiencing some road fatigue? No matter. They played “Furr,” “God & Suicide” and “Love U,” and I left a full-on Trapper keeper.
The Thermals played their first show in Portland in almost a year. And with that they unleashed nine new songs from their forthcoming release Now We Can See, which will hit iTunes and those old contraptions they call record stores April 7. The title track and “I Let it Go” (hear the demo version on their MySpace) are loaded with rock and hooks, soaked with blood, sweat and tears, slathered in barbecue sauce and … just read about it at SPIN.com (I am not above shameless self-promotion).
I haven’t been able to get enough of The Thermals of late. I think I might have a problem. 1 of the effects is that I start 2 use Prince-isms. Now U can C.
Like apples and … Barrys
Tuesday, November 18th, 2008 | musiX, pdX | 3 Comments
Even back in Conan O’Brien’s lower-budget early days he was bringing in better musical guests than Jay Leno. Not much has changed. Last night Conan had Portland’s own Blitzen Trapper; Leno had Barry Manilow.
Blitzen Trapper performed “Furr” from their latest album of the same name. ‘Twas great. The band will return home Dec. 4 for a show at the Wonder Ballroom with fellow Portlanders Starfucker and L.A.’s The Parson Red Heads. ‘Twill be great.
Barroom blitz
Friday, October 31st, 2008 | musiX, pdX | No Comments
Blitzen Trapper might have the best logo I’ve seen in years. However, if you were to judge a band by its album cover you might think the Portland, Ore., sextet was a throwback to when rockers dressed like women and women liked that sort of thing. But there’s nary a gimmick here. Blitzen Trapper hearkens back to American roots music of the late-’60s early-’70s in the vein of Neil Young and The Band—it’s the kind of music I’ve been listening to for years without actually having listened to Blitzen Trapper. How could this happen?!
The band has been kicking around since 2003, but it wasn’t until the release of 2007’s Wild Mountain Nation that these guys began their journey to becoming household names in the hovels of music dweebs across the country. Blitzen Trapper has appeared in Rolling Stone, received the elusive “Pitchfork bump” and has been blogged about by everyone and their mothers (hi mom!).
With the recent release of Furr (their first for Sub Pop), the members of Blitzen Trapper are doing it all over again. Rave reviews, big shows (they’ve already played with Fleet Foxes and Stephen Malkmus and have gigs lined up with Iron & Wine and a Nov. 17 performance on Late Night with Conan O’Brien). Why not? Smart lyrics, pop hooks, sweet harmonies. Just the right amount of twang and rawk. Fits well in a smoky bar or a big stage. You’d be silly not to like it. Does this mean it’s acceptable for critics to officially bring back the term “alt-country”? Didn’t think so.
“Gold For Bread” - Blitzen Trapper
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