Ike & Tina
Monday, January 7th, 2013 | musiX, pdX, vinylZ | 2 Comments
It’s been a long while since I’ve written anything substantial on The Days of Lore. Keeping up with it is difficult when you don’t have an editor breathing down your neck to make deadlines. You sort of have to breathe down your own neck. Is it hot in here?
For the 17 of you with impeccable taste who’ve followed TDoL over the past four years, I have heaps of reasons (excuses?) for the draught—most of them good. A quick rundown: The site got hacked (fixed it), I got hitched (and planned it), and somewhere in there I was working 12-hour days driving a 15,000-pound refrigerated truck (hated it). After that I began freelancing full-time, and the paid work took precedence over keeping up with a blog. Besides, who reads blogs anymore?
I did know that when I fired this thing up again, I wanted to come into it refreshed and excited. And I wanted to reassess why the hell I do it. I came to the conclusion that this is a space where I can satisfy my own tawdry needs. It’s really that simple. I can write about music or interview rock bands I love regardless of whether or not it coincides with an album release or the short shelf life of [insert hot buzz music news trend here]. I can talk about that great Ike & Tina record I picked up (or am in search of). [Cred-killer alert] And I can dedicate an entire week to KISS if I want to. This is also my personal Petri dish for dissecting my own thoughts on music, and those who write about it and consume it. Above all else, The Days of Lore is to have a good time. Because this is music we’re talking about here … we’re not curing fucking cancer. That’s essentially what TDoL has always been about; it’s just nice to give myself a reminder.
So here I am. Staring at this familiar space at 2 a.m. on a Monday. I envisioned this entry as sort of a mission statement. Actually more like a manifesto, because that sounds cooler and more mysterious. At the same time, I didn’t want to overthink it … which I tend to do. Like the previous sentence. Is it complete? Is “overthink” one or two words? WordPress is telling me two. Should I have used a comma in place of ellipses? What would you do?
Well, I guess that sort of sums up what’s happening here. I promise to breathe down my own neck. And I promise to redesign this old heap this year, too. Please hold me to it. On that note, I leave you with Ike & Tina’s “Nutbush City Limits,” from the 1973 album of the same name (I really am on the hunt for this record). It’s been rumored that T. Rex’s Marc Bolan played guitar on the single. I’d like to think so.
Don Kirshner—”The Man With the Golden Ear”—had his hands in all things rock ‘n’ roll since the ’50s, working with songwriters from New York’s fabled Brill Building, who in turn provided some of the early hits for The Monkees. He later helped provide the tunes for the Archies ‘toons.
But Kirshner, at least for me, will always be known as the driving force (if not the simply the name) behind Don Kirshner’s Rock Concert. The show, which ran from 1973 to 1981, shirked the typical pre-recorded lip-synced performances in favor of gritty live performances from a wide range of artists including Sly & the Family Stone, the Ramones, KISS, UFO, Ike & Tina, Sparks, George Harrison, Weather Report, Brian Ferry … wow.
Kirshner died yesterday from heart failure at the age of 76.
I leave you with this 1975 performance from Black Sabbath on Rock Concert, which you gotta think scared the bejesus out of America. Just listen to Tony Iommi’s guitar tone, for fuck’s sakes.
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- Sweet as. Liam Finn gets snug as …
- Steve Young: Rock salt, nails, whiskey
- Grass Is Green is a mean machine
- All-time favorite albums #1. KISS – Alive!
- All-time favorite albums #2. Camper Van Beethoven – Telephone Free Landslide Victory
- All-time favorite albums #3. Beastie Boys – Paul’s Boutique
- All-time favorite albums #4. Fleetwood Mac – Rumours
- All-time favorite albums #5. Old 97′s – Wreck Your Life