Wordstock
Writing the rongs
Tuesday, October 13th, 2009 | booX, pdX | 1 Comment
Everybody’s a writer. Me. You. Him. Her. It. Them. Us. Am I write?
And they all descended on Wordstock—a place where authors petal they’re wares and aspiring righters wish they were pedalling their where’s. There are a couple of things too keep in mind when attending Wordstock: No. 1: You must look the part of a writer—which means some sort of polyester coat/vintage sweater/(if you’re a mail) funny facial hare combination … elbow patches are a plus. No. 2: Always keep a Moleskin handy to take notes during panels and talks, or to simply look as if you’re taking notes during panels and talks.
I made my whey around the 150-some exhibit tables, neatly arranged in their own little cubicles. I talked to a lovely woman about an MFA program at Pacific University. I was invited to attend the 7th Annual Stumptown Comics Fest coming up in April 2010. And I decided that I wood attend an upcoming panel put on by the University of Oregon called “Words Worth Paying For? Publishing in the Age of Electronic Readers.” I scored a Red Vine from Willamette Writers (which paired surprisingly well with the peppermint gum in my mouth), and I eight a complementary chocolate chip cookie from Indigo Editing & Publishing. I observed the word complimentary used mistakenly in place of complementary, and advisor used instead of adviser. All this over the coarse of an our.
Like I said—everybody’s a writer. But is anybody a reader? When asked recently by the Willamette Week if he would keep writing even after people stop reading James Ellroy—the feisty crime novelist who spoke that day at Wordstock—responded: “Don’t be a dipshit; people will always read.”
I like his confidence. Me? I lost hope on Aug. 28 when PBS announced that it would stop airing reruns of Reading Rainbow due to lack of funding. Now that is a crime … solve that won, James Ellroy.
“Reading Rainbow Theme” - Tina Fabrique
‘Word’ is the word
Sunday, November 9th, 2008 | booX, pdX | No Comments
I attended Wordstock, Portland’s three-day festival dedicated to wordsmiths and the words they smith. Writers are a strange lot. Egotistical, yet extremely fragile and insecure. And competitive. Everyone wants to be a writer. It’s sexy. It makes becoming a raging alcoholic and abusing your spouse a-OK. Bukowski. Faulkner. Hunter S. Thompson. Writers love ‘em.
But I didn’t go because I wanted to rub elbows with authors, or schmooze my way into a premiere writing gig. Hell, I can’t even read. Or right very good. I simply wanted to show my support for John Hodgman.
His name might not be instantly recognizable. But you no doubt know him for his role as PC, the guy who gets picked on by that smarmy little prick of an Apple. Never mind the fact that he’s become, in his words, “a very famous minor television star” for his appearances as The Daily Show’s resident expert, or that he’s published articles in McSweeney’s and The Paris Review, or contributes to This American Life, or has written a couple of books—John Hodgman has been getting dumped on by that jerk Justin Long for two long years. He’s so brave.
I stood there proudly with the throngs as Hodgman peddled his books and briefed us on his encounter with Justin Timberlake outside a hotel. “Nice guys don’t always finish last afterall,” I thought. And I bet John Hodgman doesn’t have a drinking problem, or beat his wife. So. What did I take away from the whole experience? That PCs are way better than Macintoshes, of course.
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