The Days of Lore

Getting Chummy: TDoL Summer Mix 2010

Monday, July 26th, 2010 | musiX, pdX | 2 Comments

Summer is finally here in Portland … at least for a few days—’tis the season for barbecues, tubing down the river, bottomless ice chests and summer jams (Jams? JAMZ!).

TDoL spent countless hours in a dark room assembling your summer soundtrack for 2010, a mixtape filled with singalongs, un poquito de español, noise (Noise? NOIZE!), a few breezy numbers, a handful of Portland cuts, and loads of hand claps … we’re talking more clap than a state school fraternity house. Most of the music on this compilation has been lovingly featured on The Days of Lore. You should totally buy the records.

Grab the full mix in a convenient zip folder by clicking the link below. Pairs well with road trips, good barbecue and cheap beer, as well as bad trips, good times and cheap friends.

TRACKLIST:
1. “Guadalajara” - Pepe Guízar
2. “Girlfriend” - Ty Segall
3. “Too Young to Burn” - Sonny & the Sunsets
4. “Free Association” - These Hills of Gold
5. “Better Surrender” - Far
6. “Beverly Kills” - Ariel Pink’s Haunted Graffiti
7. “Flashes” - International Waters
8. “Miss Metro” - The Knuckles
9. “Starting Over” - Typhoon
10. “The Ghost Inside” - Broken Bells
11. “Bad Buzz” - The Mint Chicks
12. “Get Around Town” - Revolver
13. “Juniper” - Y La Bamba
14. “Evening Star” - Blitzen Trapper
15. “TAOS” - Menomena
16. “La Barra” - Montañas
17. “Cars and Explosions” - Kevin Dunn
18. “Doesn’t Shake Me” - The Goodnight Loving
19. “Floating Vibes” - Surfer Blood
20. “Atom Bomb” - The Apples in stereo
21. “Sidepain” - Sea of Bees
22. “A More Perfect Union” - Titus Andronicus

DOWNLOAD: Getting Chummy: TDoL Summer Mix 2010 (117 MB ZIP)

Like The Days of Lore on Facebook. Follow TDoL on Twitter.

Tags: Ariel Pink's Haunted Graffiti, Blitzen Trapper, Broken Bells, Far, Getting Chummy: TDoL Summer Mix 2010, International Waters, Kevin Dunn, Menomena, mixtapes, Montañas, Pepe Guízar, Revolver, Sea of Bees, Sonny & the Sunsets, summer, summer jamz, summer mix, Surfer Blood, The Apples in Stereo, The Goodnight Loving, The Knuckles, The Mint Chicks, These Hills of Gold, Titus Andronicus, Ty Segall, Typhoon, Y La Bamba

Blitzen Trapper can’t keep a secret

Friday, May 7th, 2010 | musiX, pdX | No Comments

Live: Blitzen Trapper and friends at The Woods, 5.05.10

It was a casual affair as evidenced by Blitzen Trapper frontman Eric Earley’s casual attire—beige shirt, and faded black jeans tucked into the tongues of a pair of old-school, white (and rather clean) Converse.

More A-List party than rock show, Blitzen Trapper celebrated its 10-year anniversary with a low-key bash at the cozy confines of Portland’s funeral-parlor-turned-music venue The Woods. Wednesday night’s not-so-secret, secret show had the band in loose, fine form. And seeing the Trappers again—especially in such an intimate space—reminded me what makes them such a good band.

Blitzen Trapper’s set was largely comprised of songs from their forthcoming LP Destroyer of the Void (June 8 on Sub Pop), which offered fleeting glimpses into ’70s Southern rock, Abbey Road-era Beatles and even a little Queen pomp—the title track might have included all three. While it certainly doesn’t hurt that Earley is a fantastic songwriter/storyteller and a musical wunderkind (he bounced from banjo to piano and then proceeded to effortlessly rip into some guitar shreddery), it’s the rest of the crew that makes Blitzen Trapper a keeper. Guitarist/keyboardist Erik Menteer traded his own echoey solos with Earley throughout the night, and added spacey noise on keys. Same with Drew Laughery, who cut in and out with rumbling keyboard bursts while guitarist Marty Marquis and drummer Brian Koch contributed to those stunning harmonies. A musical collective in the truest sense.

Portland songstress Alela Diane also joined in on the fun, adding some understated, beautiful harmonies to new song “The Tree,” as well as playing a few of her own tunes beforehand. Prior to Blitzen Trapper taking the stage, it was a rapid-fire barrage of songs from local musicians, friends and tourmates, including some banjo pickin’ from Earley in his country-covers project Denver.

Blitzen Trapper won’t return to Portland until late July. By then Destroyer of the Void will have been fully absorbed, and the Trappers will be in full-on festival mode. If you were there, consider yourself lucky … you caught them in full-on festive mode.

Photo by Greg Schroeder

“Heaven and Earth” - Blitzen Trapper

Like The Days of Lore on Facebook. Follow TDoL on Twitter.

Tags: Alela Diane, Blitzen Trapper, Destroyer of the Void, Portland music, Sub Pop, The Woods

Blitzen Trapper’s new video is killer

Tuesday, July 7th, 2009 | musiX, pdX | 2 Comments

Those busy-bodies in Blitzen Trapper are working on the follow-up to last year’s brilliant Furr (you’ll recall the album made No.1 on TDoL’s 2008 year-end list), while at the same time touring and making new music videos. The band filmed the video for “Black River Killer” a couple of months ago, recruiting a gaggle of Portlanders to take part in the shoot (Hint: They’re the ones in the creepy masks). It was directed by Daniel Elkayam and follows the narrative of a lawless man who gets away with murder (sort of) again and again and again and … it’s really well done.

The video debuted today at AOL Spinner, and now it lovingly gets regurgitated here for you, the TDoL reader.

Tags: "Black River Killer" video, Blitzen Trapper, Furr

Blitzen Trapper say, “Hey Juan”

Wednesday, April 15th, 2009 | musiX, pdX | No Comments

I like this rocking rendition of “Murder Babe” that Blitzen Trapper performed in Juan’s Basement. The Pitchfork.tv segment features the band playing a few more gems—”God & Suicide,” “Wild Mountain Nation” and “Lady On the Water”—in addition to the lighthearted interview with Juan, who’s not nearly as funny as he thinks he is.

Blitzen Trapper performing “Murder Babe” from Juan’s Basement

Tags: Blitzen Trapper, Juan's Basement, Pitchfork.tv

(Road) tripping with Alela Diane

Thursday, February 12th, 2009 | musiX, pdX | 3 Comments

Alela Diane lives in Portland. For now. The 25-year-old singer-songwriter has spent the past few years traipsing between her hometown of Nevada City, Calif., and Portland … and San Francisco … and Europe. In that time Diane has honed her songwriting skills, released her debut The Pirate’s Gospel as well as made quite a name for herself across the pond, specifically France.

Diane’s new record To Be Still is set to be released on Feb. 17 on Rough Trade Records, most of which was recorded in her musician father’s Nevada City studio (he often accompanies her on mandolin). It’s already getting plenty of love from the music blog gospel, and rightfully so. Although I wouldn’t go lumping her music in with the “freak folk” movement (whatever that is), it is unconventional in its arrangements. But it’s Diane’s voice that rises above everything else.

With the record finished, Diane will hit that old familiar road, kicking things off with a CD-release show Feb. 15 at Holocene, before heading out with Blitzen Trapper through mid-March. From there it’s Europe, where she’s already sold out her April 6 gig at Paris’ Le Bataclan … like I said, huge there. You can purchase To Be Still here. The first 50 orders will receive a personalized bag of tea from Alela. I’m not sure what that means, but it must be a good thing.

“White As Diamonds” - Alela Diane

Tags: Alela Diane, Blitzen Trapper, Rough Trade, The Pirate's Gospel, To Be Still

Blitzen Trapper: Our fine furry friends

Wednesday, January 7th, 2009 | musiX, pdX | 1 Comment

After their album Furr landed on just about everyone’s year-end list (deservedly so … the TDoL No. 1!), our favorite Portland space cowboys Blitzen Trapper have released a new video for the record’s title track. The vid comes via Pitchfork.tv. It’s official: Blitzen Trapper can do no wrong.

Tags: Blitzen Trapper, Furr

You get 10

Monday, December 15th, 2008 | musiX | 9 Comments

I’ve been wrestling with the whole year-end list thing since I saw them popping up in November. Some makes lists of 50. Others try 33. Twenty-five is always a good number. So is 20. I’ve decided to go with 10 (plus a few honorable mentions) … any more than that would be five too many. And I’m pretty sure it isn’t going to resemble yours. Or his. Or hers. Or theirs. That’s probably a good thing. Click on the cover to buy the album. And let the civil discourse begin …

10. Yes No Yes No Yes No - The Girls: I grew up during the early days of MTV when bands like Missing Persons, Devo and The Cars were coming in loud and clear in technicolor. The five men who are The Girls take the innocence, and the excess, of ’80s new wave and power pop without resorting to kitsch—then they grind it up with giddy Blank Generation riffs. What can I say? It’s damn good fun. “Not I” is the immediate standout, but “Who Are the Forgetters” is The Girls’ secret weapon that will sneak up on you and threaten to wear out the repeat button.

“Who Are the Forgetters” - The Girls

9. Nevergreens Vol. 1 and 2 - Los Fancy Free: Mexico City’s Los Fancy Free has been at it for years. Martin Thulin (aka Menonita Rock) was born to Swedish hippies in a Scandanavian Mennonite community in Northern Mexico. It reflects in the music—a rock outfit that relies just as much on flower power as it does on stomp boxes, with lyrics in English and Spanish. This year, the band released a double-disc gem. It’s a long and winding trip through the desert aboard the Partridge Family bus with pockets full of peyote. And they do a 10-minute psych-punk version of “Sultans of Swing.” Rules.

“Money Money Money” - Los Fancy Free

8. Rising Down - The Roots: The Roots continue to do all the right things by pointing out the wrong in America. Rising Down is less organic than past albums, and it’s definitely one of the group’s feistiest, taking issue with, well, everything: global warming, school shootings and the black experience in general. The biting social commentary is given weight by the always-steady back beat of ?uestlove and a revolving door of guest MCs including Talib Kweli and Mos Def. Should have made more lists. I’ll take The Roots over Lil Wayne’s haughty ways any day.

“Lost Desire” - The Roots

7. The Airing of Grievances - Titus Andronicus: Jersey’s Titus Andronicus punched me in the face and then kicked me in the ribs. Then they barked at me about Camus’ existentialist ways. Guitars and drums clang together like they were recorded in a tin shed while frontman Patrick Stickles screams like Conor Oberst on a whiskey bender. It’s actually a near-exact translation of their live show. If the E Street Band hopped a train to CBGB and sat in with The Ramones, you’d get Titus Andronicus which, fittingly, takes its name from William Shakespeare’s most violent tragedy.

“Joset of Nazareth’s Blues” - Titus Andronicus

6. S/T - Vampire Weekend: I heard “Cape Cod Kwassa Kwassa” and, slightly annoyed, went on with my business. But a friend made me listen to the entire album. At gunpoint. I started humming “A-Punk” and “Oxford Comma” (which, sadly, I do give a fuck about). I began getting annoyed when critics focused more on the band’s Ivy League pedigree and its proclivity for sweaters and Sperry Top-Siders. Silly critics. It’s a smart, fun record—there, I said it. I hope Vampire Weekend keeps making decent albums; unless they’re willing to try new things, their Afro-indie pop could wear thin fast.

“Oxford Comma” - Vampire Weekend

5. Real Emotional Trash - Stephen Malkmus & the Jicks: Stephen Malkmus still has a way with words. He also wields a mighty axe, and it’s evident that Malkmus is indulging himself here, experimenting with strung-out epics that are heavy on the guitar. But Real Emotional Trash is still a pop gem, made even sunnier by the warm production. Even if he goes for the hippie jam (the 10-minute title track), or the stoner riff (”Dragonfly Pie”) Malkmus returns to those shimmering pop melodies with “Cold Son” and “We Can’t Help You,” the latter on which Janet Weiss’ vocals melt me every time.

“We Can’t Help You” - Stephen Malkmus & the Jicks

4. Anonymous - Nothing People: This three-piece hails from a tiny sliver of land in Northern California. I always picture them as these sort of mad scientists that hole themselves up with an array of vintage gear and effects inside this fortress-like laboratory among the wind-swept olive groves. Anonymous is Nothing People’s first full-length after releasing a handful of excellent 7-inches. The band makes controlled chaos where echo-y vocals quiver over distortion and feedback and occasional drum loops and keyboards. In fact, if I didn’t know them better, I’d say they were not of this earth.

“I-5″ (live) - Nothing People

3. Blame it On Gravity - Old 97’s: Full disclosure: I am a huge fan of the Old 97’s. Unhealthy huge. But, even I wasn’t too keen on this record upon initial spins; I selfishly wanted a full return to those glorious Bloodshot days. Then I began to notice Rhett Miller’s familiar bookish wordplay, which wasn’t quite there on 2004’s Drag It Up. And guitarist Ken Bethea’s leads and licks killed me. Blame it On Gravity essentially plays like a greatest hits album, tapping from the band’s 15-year history and all of their clear-cut influences—’60s Brit-pop, Replacements rawk, outlaw-country. How could it not be good?

“Here’s to the Halcyon” - Old 97’s

2. I’ll Be Lightning - Liam Finn: I wanted to hear this album because of my love for Liam’s pops. He definitely inherited Neil’s knack for writing a pretty pop song, even snagging some of his old man’s vocal phrasings in “Music Moves My Feet” and “Lead Balloon.” The young Finn plays most of the instruments here, and he isn’t afraid to throw some ugly on top of the pretty … in a very handsome sort of way. There’s always something lurking in the background to make songs like “Second Chance” and “I’ll Be Lightning” feel not-so Crowded House—not that there’s anything wrong with that.

“Lead Balloon” - Liam Finn

1. Furr - Blitzen Trapper: I gravitate toward melodies and dynamics, even production, well before lyrics begin talking to me. But Eric Earley can spin a yarn—whether it be a murder ballad in “Black River Killer” or the tale of a young man who, literally, follows his animal instincts in the title track. What’s most impressive is how naturally this band can traverses folk (”Furr”), country (”Stolen Shoes & a Rifle”) and even ramshackle garage (”Love U”). There’s even a weepy, Elton-inspired ballad in “Not Your Lover.” So good an album that I actually get a little sad when it ends.

“Black River Killer” - Blitzen Trapper

Even more to love (in no particular order):

Microcastle - Deerhunter

Evil Urges - My Morning Jacket

Dear Science - TV on the Radio

Alight of Night - Crystal Stilts

S/T - Fleet Foxes

Tags: Alight of Night, Anonymous, best of 2008, Blame It On Gravity, Blitzen Trapper, Crystal Stilts, Dear Radio, Deerhunter, Evil Urges, Fleet Foxes, Furr, I'll Be Lighning, Liam Finn, Los Fancy Free, Microcastle, My Morning Jacket, Nevergreens Vol. 1 and 2, Nothing People, Old 97's, Real Emotional Trash, Rising Down, Stephen Malkmus & the Jicks, The Airing of Grievances, The Girls, The Roots, Titus Andronicus, TV On the Radio, Vampire Weekend, year-end list, Yes No Yes No Yes No