The Days of Lore

Black Friday (the 13th): Slayer still slays

Friday, November 13th, 2009 | musiX | 2 Comments

How can the members of Slayer—now in their mid-40s—still manage to scare the shit out of me? I don’t know, but let’s look at the rest of the Big Four, shall we? Metallica: Harmless. Megadeth: Whiny. Anthrax: Bush-less.

Yes, Slayer still brings it—and in the almost 30 (!) years they’ve been around, have not so much as twitched as new trends and new bands and new serial killers and new wars and new presidents have come and gone. The latest World Painted Blood sounds like it could have been released during the Reagan administration … except, thankfully, it’s the Obama administration … and Oliver North is reporting for Fox News instead of, ya know, lying to Congress.

So. Slayer. I guess the only time critics have complained about the band veering from its direct path to Hell was ironically during Divine Intervention and Diabolus In Musica. But, I say to hell with the critics. Those are great records. You can actually hear Tom Araya’s bass. And the drums sound like your head is inside the double-kick. And I actually liked Paul Bostaph, who replaced original drummer Dave Lombardo in 1992.

But I like Lombardo more. No one’s faster. At 44, he still pummels the skins like he did decades ago on “Angel of Death” and “War Ensemble” (Lombardo returned in 2006). The riffs still gallop at blinding speeds (see “Psychopathy Red”). Solos squeal like slaughtered pigs (the intro to “Snuff” … wow). And there’s still plenty of dark and creepy imagery courtesy of Kerry King and Jeff Hanneman, who I think these days are just trying to out-gross one another. Which is what fans want. I mean, metal is the only category of music where exploration and experimentation are not welcome … see where it got Metallica.

Above all, Slayer still pulls it off convincingly—probably because they/we don’t know any differently. Put them next to Metallica, Anthrax and Megadeth and it’s like sicking a pit bull on a chihuahua … which, if I’m not mistaken, was the inspiration behind the song “Silent Scream.”

“Psychopathy Red” - Slayer

“Hate Worldwide” - Slayer

Tags: Anthrax, Black Friday, Dave Lombardo, Diabolus In Musica, Divine Intervention, Jeff Hanneman, Kerry King, Megadeth, Metallica, Slayer, The Big Four, Tom Araya, World Painted Blood

Black Friday: Jonah rocks

Friday, September 25th, 2009 | musiX | 1 Comment

You thought (hoped) Black Friday was dead and gone. HA! It just moved underground for a few weeks.

I found this at MetalSucks (which is where I get a lot of my weird and random metal goodies that don’t involve me writing about Slayer or KISS or Mastodon).

There’s this 4-year-old kid named Jonah who can smack the skins better than a lot of the drummers he’s imitating (I’m talking to you, Lars). The li’l guy apparently chooses all the songs he plays and even has his own Web site, fittingly titled Jonah Rocks. Jonah can be seen playing along to bands that have some of the best drummers of all time (Peart?! Moon?!), as well as a few metal masterpieces from Metallica and System Of a Down. Impressive. Makes me want a kid or two … wait, did I just say that out loud? Ahem … here are a few of my favorites:

Metallica - “Harvester of Sorrow”

System of a Down - “Chop Suey”

The Who - “Won’t Get Fooled Again”

KISS - “Rock and Roll All Nite”

Van Halen - “Ain’t Talkin’ ‘Bout Love”

Tags: Jonah Rocks, KISS, Metallica, System Of a Down, The Who, Van Halen

The return of Black Friday! Umm …

Friday, August 7th, 2009 | musiX | 1 Comment

Metallica could probably benefit from having this fellow sing backup. Fifty bucks if you make it all the way through.

It’s been a long fortnight. Be prepared for a full platter of TDoL next week.

Courtesy of Metal Injection.

Tags: "Nothing Else Matters", Metallica, old Indian man

Black Friday: Reading between the lines

Friday, June 19th, 2009 | musiX | 3 Comments

Historically in metal, a band’s image is as (if not more) important as the music itself. From the band’s name, to its garb, right down to the logo. Alice Cooper and KISS were better-known for what they looked like than the music they made (more true with the latter). When metal ruled in the late ’70s and the ’80s, it was all about image … until it regressed to absurdity before finally getting smothered by the always-fashionable flannel shirt.

The Me Decade is when the metal logo was truly birthed—a single, defining brand that could be easily seen and recognized on records, posters and, most importantly, T-shirts. Bands like Motörhead and Judas Priest went with classically ornate logos, while the aforementioned KISS chose a simple, very memorable signature lighting-bolt “SS” (turned into backwards “ZZ” when the band toured Germany). It carried over into the ’80s when it was all about the logo—Metallica, Exodus, Slayer, RATT, Anthrax, Dio, Def Leppard, AC/DC—all of which could be found scrawled on notebooks and in bathroom stalls, or crudely written or carved on school desktops … or so I’ve heard.

The tradition carries on today. In metal if you don’t have a tough/menacing logo, you might as well be playing Showtunes. Especially in black metal. In fact, in the world of black metal a band’s logo might be the first, and sometimes only, identifying element. It doesn’t even have to be legible for chrissakes, as bands are seemingly trying to one-up each other in keeping their names a mystery to the world.

So. For this Black Friday, I’ve scoured the bottomless pit of the Interwebs to find the most unruly, tangled, illegible band logos possible. It is your duty to try to decipher them. I’ll post one new logo per day (not including Saturday and Sunday) through Thursday, June 25. Shoot your answers to me at mark@thedaysoflore.com. The person who guesses the most band names correctly out of five will win a classic metal album of my choosing. Yes, this means all five people who both listen to metal and read TDoL have a chance to win a disc. It will, of course, be an incredible metal masterpiece.

Deadline is midnight (PDT), Thursday, June 25, and the winner will be announced next Black Friday. It will take a keen eye. It might also help in some cases to be fluent in Finnish.

Ridiculously unreadable band logo No. 1: This band comes from—you guessed it—Finland. They enjoy long walks in the snow, and their lyrics are as unintelligible as their logo.

Tags: AC/DC, Alice Cooper, Anthrax, Black Friday, Def Leppard, Exodus, Iron Maiden, Judas Priest, KISS, metal band logos, Metallica, Motörhead, RATT, Slayer

Black Friday: Lego my Ulrich

Friday, June 12th, 2009 | musiX | 1 Comment

Someone with a lot of time on their hands put this vid together of friendly, always-smiling Lego men doing a rendition of Metallica’s “Whiplash.” There are even pyrotechnics. It’s like something I would have done as a kid if I had a camera and patience; except it would have been with KISS … and I probably would never have finished.

Tags: "Whiplash", Black Friday, Lego, Metallica

Black Friday: Slayer hella likes to sing about Hell and Satan

Friday, April 3rd, 2009 | musiX | No Comments

… And Satan might be the nice guy among all the serial killers and Nazi war criminals that Slayer has sung about over the years. I found this video on one of my favorites MetalSucks. The metal mashup comes via Metal Injection and strings together every reference of “Satan” or “Hell” from Slayer’s studio albums (cover songs not included). Supposedly vocalist Tom Araya screams those unholy words a total of 88 times, not counting repeats. If you like this, check out the Metallica version: 81 mentions of the words “die,” “dying” or “death.” Happy Friday!

Tags: Black Friday, Metallica, MetalSucks, Slayer

Black Friday: A picture is worth a thousand metal lyrics

Friday, March 13th, 2009 | musiX | 3 Comments

Metal can be summed up in one simple sentence: Dungeons and Dragons meets smut mag meets horror flick meets Marvel Comics. Of course, the music touched on most of these manly topics, but it was the album covers that drew pubescent boys into the seedy underbelly of heavy metal. And back when records ruled, you could get lost staring at the cover image.

It’s a topic that’s no doubt been endlessly written about. Since it’s Black Friday here at The Days of Lore as well as Friday the 13th, I’ve decided to make my own list of worthy heavy metal album covers. Click the covers to see a larger image, at your own risk, of course.

Vulgar Display of Power - Pantera (1992) According to metal lore, it took some 30 takes to capture this photo of Pantera vocalist Phil Anselmo socking a fan in the face. The volunteer was apparently paid $10 per punch. Well. One fan’s stupidity led to one of the best metal album covers ever … and a far cry from Pantera’s early years. I’m very happy to say I’ve only been on the receiving end of a Phil Anselmo hug.

Kill ‘Em All - Metallica (1983) The stark and eerie image is still one of my favorites. The cover of Metallica’s debut leaves a lot to the imagination, unlike the original concept for the original title, Metal Up Your Ass, which had this cover. About as subtle as … well, a large dagger up your ass. The idea for the Kill ‘Em All cover came from late bassist Cliff Burton—sort of sums up the fact that when he died, so did a lot of Metallica’s coolness.

Destroyer - KISS (1976) It would be silly not to include a KISS album. The band was ready-made for the visual aspect of metal. The Destroyer cover was painted by fantasy artist Ken Kelly, who studied under another well-known fantasy artist Frank Frazetta. Kelly also did covers for Conan the Barbarian comics as well as album covers for Manowar, Rainbow and later on Coheed and Cambria. He also painted KISS’ Love Gun album cover. Yes, with this cover the members of KISS remain forever young, even as they continue to tour as old farts in makeup and Spandex.

The Number of the Beast - Iron Maiden (1982) I remember seeing a poster of this and staring as long as I could without people thinking I was weird. I was 10. It scared me. And I wanted to own it. Derek Riggs created the famous Eddie mascot, who has appeared in one form or another on every Maiden album. The Number of the Beast was the band’s third album and first with vocalist Bruce Dickinson. The recording process was filled with bizarre occurrences, including a car accident involving producer Martin Birch and a “religious nutter.” Total damage to his car: £666.66.

Anthology - Manowar (1997) Umm … it’s Manowar. My guess is that the members didn’t have a lot of money for clothing at this juncture in their career. No? They were really proud of their workout routines? Wait, I got it. According to Norse mythology, real Vikings used baby oil.

Sabbath Bloody Sabbath - Black Sabbath (1973) This is a bit creepy. Consider it came out in 1973, and it’s fucking frightening. Artist Drew Struzan, a Portland, Ore. native, also did album covers for some other noteworthy satanic musicians including the Beach Boys, Liberace and Glenn Miller. He’s also done hundreds of movie posters, and became a favorite of Spielberg and Lucas as he created the images for E.T., Back to the Future and all of the Star Wars and Indiana Jones films. Wholesome family entertainment, just like Satan and Black Sabbath.

The Wretched Spawn - Cannibal Corpse (2004) I worked at a record store when Cannibal Corpse got its start with savory albums like Tomb of the Mutilated and Eaten Back to Life. I remember thinking they were pretty ridiculous. Well, those crazy kids really outdid themselves with The Wretched Spawn—little demonic things crawling out of other things all in the name of good ol’-fashioned heavy metal shock value. Comic book artist Vince Locke water-colored the cover, and actually had his tattoo-artist bro ink another CC album cover called Butchered at Birth on to his skin. Cannibal Corpse: Bringing families closer.

Lovehunter - Whitesnake (1979) Really? So ridiculous that it’s actually great. So great, in fact, that I’m going to have my non-tattoo artist brother ink this on to my face.

Overkill - Motörhead (1979) Just a classic. Joe Petagno created Snaggletooth B. Motörhead, the fanged menace that appeared on all but two of the band’s 19 albums. Petagno said he researched a number of skull types and ended up with some sort of gorilla-wolf-dog combination with over-sized boar horns. It’s as metal as Lemmy … and Lemmy is pretty fucking metal.

Betty - Helmet (1994) I’ve always loved the contrast between the sludgy riffs contained within and the squeaky-clean cover. It looks like a scene from a Leave It to Beaver episode. The cover was no doubt the ’90s’ answer to the excesses of ’70s and ’80s metal. Yes, it’s unlikely we will ever see another album cover dipicting a naked woman writhing in ecstasy atop a giant demonic serpent again. And that’s just sad.

Tags: Betty, Black Sabbath, Cannibal Corpse, Derek Riggs, Destroyer, Drew Struzan, Helmet, Iron Maiden, Joe Petagno, Ken Kelly, Kill 'Em All, KISS, Manowar, Metallica, Motörhead, Overkill, Pantera, Sabbath Bloody Sabbath, The Number of the Beast, The Wretched Spawn, Vince Locke, Vulgar Display of Power