The Days of Lore

Black Friday: A picture is worth a thousand metal lyrics

Friday, March 13th, 2009 | musiX | 3 Comments

Metal can be summed up in one simple sentence: Dungeons and Dragons meets smut mag meets horror flick meets Marvel Comics. Of course, the music touched on most of these manly topics, but it was the album covers that drew pubescent boys into the seedy underbelly of heavy metal. And back when records ruled, you could get lost staring at the cover image.

It’s a topic that’s no doubt been endlessly written about. Since it’s Black Friday here at The Days of Lore as well as Friday the 13th, I’ve decided to make my own list of worthy heavy metal album covers. Click the covers to see a larger image, at your own risk, of course.

Vulgar Display of Power - Pantera (1992) According to metal lore, it took some 30 takes to capture this photo of Pantera vocalist Phil Anselmo socking a fan in the face. The volunteer was apparently paid $10 per punch. Well. One fan’s stupidity led to one of the best metal album covers ever … and a far cry from Pantera’s early years. I’m very happy to say I’ve only been on the receiving end of a Phil Anselmo hug.

Kill ‘Em All - Metallica (1983) The stark and eerie image is still one of my favorites. The cover of Metallica’s debut leaves a lot to the imagination, unlike the original concept for the original title, Metal Up Your Ass, which had this cover. About as subtle as … well, a large dagger up your ass. The idea for the Kill ‘Em All cover came from late bassist Cliff Burton—sort of sums up the fact that when he died, so did a lot of Metallica’s coolness.

Destroyer - KISS (1976) It would be silly not to include a KISS album. The band was ready-made for the visual aspect of metal. The Destroyer cover was painted by fantasy artist Ken Kelly, who studied under another well-known fantasy artist Frank Frazetta. Kelly also did covers for Conan the Barbarian comics as well as album covers for Manowar, Rainbow and later on Coheed and Cambria. He also painted KISS’ Love Gun album cover. Yes, with this cover the members of KISS remain forever young, even as they continue to tour as old farts in makeup and Spandex.

The Number of the Beast - Iron Maiden (1982) I remember seeing a poster of this and staring as long as I could without people thinking I was weird. I was 10. It scared me. And I wanted to own it. Derek Riggs created the famous Eddie mascot, who has appeared in one form or another on every Maiden album. The Number of the Beast was the band’s third album and first with vocalist Bruce Dickinson. The recording process was filled with bizarre occurrences, including a car accident involving producer Martin Birch and a “religious nutter.” Total damage to his car: £666.66.

Anthology - Manowar (1997) Umm … it’s Manowar. My guess is that the members didn’t have a lot of money for clothing at this juncture in their career. No? They were really proud of their workout routines? Wait, I got it. According to Norse mythology, real Vikings used baby oil.

Sabbath Bloody Sabbath - Black Sabbath (1973) This is a bit creepy. Consider it came out in 1973, and it’s fucking frightening. Artist Drew Struzan, a Portland, Ore. native, also did album covers for some other noteworthy satanic musicians including the Beach Boys, Liberace and Glenn Miller. He’s also done hundreds of movie posters, and became a favorite of Spielberg and Lucas as he created the images for E.T., Back to the Future and all of the Star Wars and Indiana Jones films. Wholesome family entertainment, just like Satan and Black Sabbath.

The Wretched Spawn - Cannibal Corpse (2004) I worked at a record store when Cannibal Corpse got its start with savory albums like Tomb of the Mutilated and Eaten Back to Life. I remember thinking they were pretty ridiculous. Well, those crazy kids really outdid themselves with The Wretched Spawn—little demonic things crawling out of other things all in the name of good ol’-fashioned heavy metal shock value. Comic book artist Vince Locke water-colored the cover, and actually had his tattoo-artist bro ink another CC album cover called Butchered at Birth on to his skin. Cannibal Corpse: Bringing families closer.

Lovehunter - Whitesnake (1979) Really? So ridiculous that it’s actually great. So great, in fact, that I’m going to have my non-tattoo artist brother ink this on to my face.

Overkill - Motörhead (1979) Just a classic. Joe Petagno created Snaggletooth B. Motörhead, the fanged menace that appeared on all but two of the band’s 19 albums. Petagno said he researched a number of skull types and ended up with some sort of gorilla-wolf-dog combination with over-sized boar horns. It’s as metal as Lemmy … and Lemmy is pretty fucking metal.

Betty - Helmet (1994) I’ve always loved the contrast between the sludgy riffs contained within and the squeaky-clean cover. It looks like a scene from a Leave It to Beaver episode. The cover was no doubt the ’90s’ answer to the excesses of ’70s and ’80s metal. Yes, it’s unlikely we will ever see another album cover dipicting a naked woman writhing in ecstasy atop a giant demonic serpent again. And that’s just sad.

Tags: Betty, Black Sabbath, Cannibal Corpse, Derek Riggs, Destroyer, Drew Struzan, Helmet, Iron Maiden, Joe Petagno, Ken Kelly, Kill 'Em All, KISS, Manowar, Metallica, Motörhead, Overkill, Pantera, Sabbath Bloody Sabbath, The Number of the Beast, The Wretched Spawn, Vince Locke, Vulgar Display of Power

Black Friday: Vulgar display of blogging

Friday, February 6th, 2009 | musiX | No Comments

I was recently looking back at my relationship with music throughout my life (see post below). What I didn’t mention was that I worked at a record store in a tiny Northern California speck called Red Bluff for a couple of years.

While the bosses were there I usually had to play these mix tapes with the hits of the day. When they went home, I listened to my music. Pantera received a lot of play in those days. Sometimes people came in and perused the H’s and M’s for Hootie and Alanis, and I’d turn it up a little louder. We sold a grotesque amount of those CDs.

I was introduced to Pantera by a pot-smoking Crüe fan. It was all over when I heard Vulgar Display of Power—one of the best metal records of all time, made by one of the best metal bands of all time, with one of the best guitarists of all time. Released in 1992, Vulgar Display of Power once and for all shook the band of its glam-rock ways (1990’s Cowboys From Hell wasn’t quite there), and helped create a monster with a love for Black-Toothed Grins, Sabbath, Ace Frehley and ZZ Top. Guitars rip. Vocals shred. Drums pummel. The album cover says it all: My fist, your face … my gawd!

“A New Level” - Pantera (Vulgar Display of Power)

“This Love” - Pantera (Vulgar Display of Power)

Tags: Pantera, Vulgar Display of Power

Black Friday? Meet Black Elk

Friday, November 28th, 2008 | musiX, pdX | No Comments

Today’s the day. The sheep awaken at 4 in the morning so that they can invade shopping malls across the nation to fulfill their cheap, consumeristic desires. Me? I thought it was only fitting to wake up at 7:09 a.m. on this Black Friday so that I could bring you the new weekly feature here at The Days of Lore called … “Black Friday.”

However, this new Friday tradition should not be confused with shopping, or historical disasters. TDoL’s Black Friday will examine the unholy underworld of metal. Why? Because I grew up in a town called Red Bluff listening to Helmet and Pantera and Slayer and Metallica and Iron Maiden and RATT. Ahem.

Some weeks Black Friday will be a sociological examination of metal, where I get my dainty hands dirty in a genre with a longstanding tradition of grown men wearing makeup and teasing their hair, drugs, sexism and satanism, or any other kind of “ism” you can think of. Metal can be goofy (see Manowar), frightening (e.g. Gorgoroth). And in most cases metal fans are, well, fanatic. Even if metal’s not your thing, it’ll at least be interesting.

Sometimes I will even point out bands that are actually good. Like this week …

What better way to kick off Black Friday than with Portland’s own Black Elk. The four-piece just released its second full-length Always a Six, Never a Nine, a record that harkens back to the sludgy, smart noise of early Amphetamine Reptile (Melvins, Chokebore, Helmet). Basically it’s metal without being too metally (look it up!)—loads of skull-slicing riffage, tempered with just enough weirdness and a vocalist who doesn’t sound like Cookie Monster’s cuz.

Black Elk was featured in a recent Willamette Week article on a metal club at a local high school—yes, we encourage headbanging in school. The band has a couple of dates lined up, including Jan. 10 at Someday Lounge. There are two benefit shows scheduled for Dec. 6 and 7 to help with medical expenses for guitarist Erik Trammell, who was hit while riding his bike to work in late September in our bike-friendly city. On that note … listen to these ditties, and get out there and pump your hard-earned dough back into the economy. It’s Black Friday!

[The Black Friday feature will appear every Friday in addition to the usual TDoL goodies.]

“She Pulled Machete” - Black Elk (Always a Six, Never a Nine)

“Elk Takes Night” - Black Elk (self-titled)

Tags: Always a Six Never a Nine, Amphetamine Reptile, Black Elk, Black Friday, Chokebore, Erik Trammell, Helmet, Iron Maiden, Melvins, Pantera, RATT, Slayer